Agraphon

The music contains two symbolic ideas - the first being the opening series ofintervals which appear to be inexhaustible in their multifaceted symbolism, representing the music of the spheres. If the angel's song is indeed one of knowledge, they could not choose a better theme of harmony. And then thereis the apparent evil of the endless series of spiralling sixths and sevenths, falling without apparent hope of redemption through an eternal geometric series, down into a hellish realm.

Agraphon must be performed with greatintensity, literally at the breaking point of intensity and petrification. For the voice the style alternates between European and classical Indian singing; for example, the passage beginning on page 12 is entirelysemi-improvised. The singer must listen to many examples of classical Indian music, or else be trained by a master. The music ends fiercely at the incomprehensible clash and union between the Divine and the human.

Duration22 minutes. Instrumental parts are available on hire only.