Amers is the Frenchword for 'navigation beacons', strategically spaced along the coast for sailors. One of the earliest ideas about the piece was the effect of a solo cello 'as a sailor charting a course through a sea of sounds', but his journey,scattered with phrases defined by the existing sound material, is hampered by the surroundings. To a certain extent Amers is a concerto, even though the composer has tried to avoid the usual duel between orchestra and soloist. Instead the piece divides naturally on three levels - each with a certain independence. The cello, juxtaposed with the instrumental ensemble and with computer generated sounds, cannot reach its scheduled ports of call directlyand is often pulled off course.