Ave Maria von Arcadelt

Name: Ave Maria von Arcadelt - Livro - Franz Liszt - Schott Publishing
Brand: Schott Publishing
Price: 12.80 EUR
Availability: OutOfStock

12,80 €

Editora:Schott Publishing

Categoria:Orgão

Disponibilidade:Por Encomenda

Descrição

Franz Liszt composed his lyrical-meditative organ fantasia on the Ave Maria von Arcadelt in Rome in 1863. In contrast to his major virtuoso works, this charming genre piece can even be easily played on smaller (double-manual) instruments, even without swell-organ and reeds. The 'Liszt organ' at the village church of Denstedt near Weimar, which was built by the Peternell brothers in 1859/60 and has survived in its original state, may be used as an example. It did not become known until in 1927 that the Ave Maria attributed to Jakob Arcadelt (around 1505-1568) was a revised version by the composer Pierre-Louis-Philippe Dietsch (1808–1865) who used the melody of Arcadelt'schanson Nous voyons que les hommes which he then harmonized into his own Romantic four-part choral setting and to which he added the sacred text as a contrafactum. Our separate edition wants to make this rather 'poetic', yet quite easy-to-play organ work without any major technical difficulties accessible to a large circle of interested people. Franz Liszt composed his lyrical-meditative organ fantasia on the Ave Maria von Arcadelt in Rome in 1863. In contrast to his major virtuoso works, this charming genre piece can even be easily played on smaller (double-manual) instruments, even without swell-organ and reeds. The 'Liszt organ' at the village church of Denstedt near Weimar, which was built by the Peternell brothers in 1859/60 and has survived in its original state, may be used as an example. It did not become known until in 1927 that the Ave Maria attributed to Jakob Arcadelt (around 1505-1568) was a revised version by the composer Pierre-Louis-Philippe Dietsch (1808–1865) who used the melody of Arcadelt'schanson Nous voyons que les hommes which he then harmonized into his own Romantic four-part choral setting and to which he added the sacred text as a contrafactum. Our separate edition wants to make this rather 'poetic', yet quite easy-to-play organ work without any major technical difficulties accessible to a large circle of interested people.