Concerto RV 584

Name: Concerto RV 584 in due cori con due violini e due organi obbligati, archi e basso continuo - Ed. critica - Ensemble Flexível
Brand: Ricordi
Price: 29.80 EUR
Availability: OutOfStock
ISBN: 9788881920068

in due cori con due violini e due organi obbligati, archi e basso continuo - Ed. critica

29,80 €

Editora:Ricordi

Categoria:Ensemble Flexível

Disponibilidade:Por Encomenda

Descrição

Among the works by Vivaldi that are preserved incompletely, the Concerto in due cori con due violini e due organi obbligati, RV 584,stands out for its musical interest and structural complexity. It is a work of sumptuous andgeometrical architecture composed to mark two special and concurrent events: the purchase - in 1737 - of a new large organ by the Ospedale della Piet and the re-engagement of Vivaldi for a final time by this famous Venetianinstitution for foundlings as its maestro dei concerti. From thetime of his first employment at the Piet Vivaldi had composed concertos in due cori (for double ensemble) in celebration of themost important liturgical andcommemorative occasions - it was he who carried on, in the instrumental domain, the ancient Venetian tradition of polychoral music, leaving us six works that constitute the sole Italian examples of such writing. Recounting indetail the story of the purchase of, and repairs to, the organs of the Piet in relation to Vivaldi's composition for this instrument, the introductory essay for this edition manages to mark out a precise chronological gridagainst which it is possible to date the work exactly. This investigation likewise produces a precise dating for the concerto RV 585, the earliest specimen of its kind, which was composed between September 1708 and February 1709.This 'story of the organs' additionally affords the opportunity to present an anthology of documents from the Piet shedding light on the special relationship that existed between Vivaldi, the governors and the figlie. Of thisconcerto, which was certainly composed in its entirety by Vivaldi and therefore - in all likelihood - also performed, there remains today only the autograph of the first, extended movement: enough to bear witness to the qualityand impressiveness of the work and encourage its performance.