Alexandre Guilmant was one of the greatest representatives of the French Romantic organ school, and composed almost exclusively for his instrument.
A rare exception is this “Morceau symphonique”, written in1902 for the Paris Conservatoire’s annual trombone class competition. The charming piece soon found its way into the repertoire – as did Saint-Saëns’s “Cavatine” (HN 1119) – and is todayamong the essential standard works of trombone literature.
The “Morceau symphonique” is here offered in its first-ever Urtext edition, based on the autograph and the first edition. We also offer here aparticularly special treat – the sight-reading piece that Guilmant wrote for the same competition, which had until now slumbered in the archives and is here published for the very first time.