Naxos Quartet No.4 - Children's Games

Name: Naxos Quartet No.4 - Children's Games - Só Partitura - Sir Peter Maxwell Davies - Music Sales - Quarteto de Cordas
Brand: Music Sales
Price: 27.80 EUR
Availability: OutOfStock
ISBN: 9781846096150

27,80 €

Editora:Music Sales

Categoria:Quarteto de Cordas

Disponibilidade:Por Encomenda

Descrição

The Full Score for Peter Maxwell Davies’ fourth in a series of ten string quartets commissioned by the Naxos Recording company, first performed by the Maggini Quartet on 20th August 2004 at the Chapel of the Royal Palace, Oslo,Norway, as part of the Olso Chamber Music Festival.

Composer Note:
The fourth Naxos quartet was written in January and February of 2004, with the intention of producing something lighter and much less fierce than itspredecessor, an unpremeditated and spontaneous reaction to the illegal invasion of Iraq.

I returned to the well-known Brueghel picture of children's games (1560, now in Vienna), which had been the inspiration for my sixthStrathclyde Concerto, for flute and orchestra. These illustrations liberated my musical imagination, but I feel it would limit the listener's perception to be too specific about which game relates to exactly which section of thework. Suffice it to say that there is vigorous play - leap-frog, bind the devil with a cord, truss, wrestling - alongside quieter pastimes - masks, guess whom I shall choose, courting, odds and evens. The single movementjuxtaposes these activities as abruptly and intimately as they occur in Brueghel. Rather as the eye is taken into different perspectives and proportions of scale within the picture, taking liberties which would never be presentin, for instance, Brunelleschi architectural drawings, so here, with a constant sequence of transformation processes, I have distorted the neat, precise implications of modal progression, expressed in the unison opening phrase(from F to B through A sharp/B flat), so that the ear is led, en route, into the sound equivalents of strange passageways and closed rooms: sicut exposition ludus.

As work on the quartet progressed I became aware that Iwas reading into, and behind the games, adult motives and implications, concerning aggression and war, with their consequences. It was impossible to escape into innocent childhood fantasy.

The nature of the F to B