If Davies's Cello Concerto has already evoked comparisons with Elgar's, that is perhaps an indicationnot only of its wealth of solo melody (there is hardly a page where the cello is not singing, or if not that, then dancing), and of its predominantly slow tempos, but also of its musical stature. This second Strathclyde concertois a virtuoso piece for the entire ensemble, which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue, especially in the opening Moderato andthe slow movement; and though the finale is more extrovert, the work ends back in quietness and rumination.
This book contains the solo cello part and a piano reduction of the orchestral score.